Write a five to six-page paper that responds to one of the prompts below:
*You are expected to demonstrate your familiarity with the relevant course readings, a/v materials, and lectures. You are also expected to demonstrate your ability to think independently, critically, and creatively. Rather than simply describing a series of facts and events that are relevant to the prompt, you should develop a thesis that is responsive to the prompt and then go about supporting that thesis by drawing from and discussing course materials.
1) Discuss at least three significant ways that African American jazz and blues musicians took on activist roles and/or made social commentary through their music during the first half of the twentieth century. To what extent were such activities related to their experiences as workers in the music industry? To what extent were they influenced by broader social phenomena shaping Black life and contemporaneous social, political, and cultural movements? Your answer must include at least one example from the 1910s/1920s and at least one example from the swing/bebop era (1930s/40s).
2) Describe at least three significant examples of how whites or other non-African Americans in the US and/or elsewhere used jazz as a vehicle for their social, cultural, and artistic rebellions during the first half of the twentieth century. How did jazz’s connections to African American society and the dynamics of race relations influence this story? What were the possibilities and limitations of such rebellions? At least one of your examples must be from the 1920s and at least one must be from the swing/bebop era (1930s/40s).
3) Discuss how the bebop and “all girl” swing band movements extended and/or built upon a democratic swing era culture and how they responded to the limits of that culture. Your answer should offer some discussion of the broader social and political contexts in which the swing movement developed in the 1930s and was transformed in the 1940s.
Your answer should be double-spaced, in 12-point font, with page numbers on each page. References must be cited using a recognizable format (e.g., MLA or Chicago). See syllabus for link to information about citations and plagiarism.
A bibliography is not required, unless you choose to consult sources from outside the course.
2 sources of information from these 2 books—-All of these prompts require you to engage
Erenberg (Swingin’ the Dream: Big Band Jazz and the Rebirth of American Culture)
as well as the relevant primary and secondary sources assigned for the course. Consulting relevant chapters in Ogren ( The Jazz Revolution: Twenties America and the Meaning of Jazz Book by Kathy J. Ogren) will also be useful for prompts 1 and 2.
Please consider the following as you near completion:
Pertinence: Does my paper respond to the assignment? Reread the essay prompt to be certain.
Argument: Do I have a clear thesis statement in my opening paragraph? Is it focused enough to be supported by my evidence?
Development: Do the paragraphs that constitute the body of the paper advance my argument? Is their connection to the central argument clear? Do I have clear topic sentences? Do I support my argument with appropriate evidence?
Quotations: Are all of my quotations necessary? Do I adequately introduce them and explain how the information in them is relevant to the argument I am making?
Conclusion: Does my conclusion correspond to the claims made in the introduction?
Tone/grammar: Read the essay out loud to yourself. Does the tone seem appropriate? Have I made sure there are no words missing or sentences that are hard to follow?
2 sources of information are the books
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